Descent Of The Goddess Copyright 1993 Durwydd Mac Tara (With special thanks to G. B. Gardner, Freydis Vasa, Julia Phillips, and Pyrocanthus Basileus) In ancient times, our Lord,the Horned One, was (as hestill is) the Controller, the Comforter. But men know him as the dread Lord of Shadows, lonely, stern, and just. But our Lady the Goddess oft grieved deeply for the fate of her creations as they aged and died. She would solve all mysteries, even the mystery of death, and so journeyed to the underworld. The Guardian of the Portals challenged her: 'Strip off thy garments, lay aside thy jewels; for naught may you bring with you into this our land, for it is written that your True Self is the only fitting adornment for those in the realms of Death.' So she laid down her garments and her jewels, andwas bound, as all living must be who seek to enter the realms of Death, the Mighty One. Such was herbeauty that Death himself knelt,and laid his sword and crown at her feet, and kissed her feet, saying: 'Blessed be thy feet that have brought thee in these ways. Abide with me; but let me place my cold hand on thy heart.' And she replied: 'Why do you cause all things that I love, and take delight in, to fade and die?' 'Lady,' replied Death, 'it is age and fate, against which I am helpless. Age causes all things to wither; but when men die at the end of time, I give them rest and peace and strength, so that they may return. But you, you are lovely. Return not, abide with me.' And she replied, 'Nay, I love theenot and I am needed in the world of the living.' Again Death knelt, and kissed her knees, saying: 'Blessed be thy knees that kneel before the Altar. Abide with me; let me place my cold hand on thy heart.' And she replied, 'Nay, I love thee not and I am needed inthe world of the living.' Death (still kneeling), kissed her on the womb, saying: 'Blessed be thy organs of generation, without which none of us would be. Abide with me; let me place my cold hand on thy heart.' And she replied, 'Nay though I feel the beginnings of love for 1923 thee, I must return to those I fully love in the world of creation.' Deaththen stood, and kissedher on thebreast, saying: Blessed be thy breast, formed in strength and beauty. Abide with me; let me place my cold hand on thy heart.' And she replied, 'Nay though I feel love for thee, I must not abandon those I am responsible for, in the world of creation. I cannot do this thing, better you would return with me.' 'Lady,' replied Death, It cannot be so. If I were to leave my realm, and abandon those who seek their comfort and rest with me, then the Wheel would no longer turn. Age and weakness would overtake those whom you love, and they would have nowhere to find rest, and peace, and reunion with those who have gone before. As age and debility overtook your creations, there would quickly be no room for the new, only the withered, the tired, and the stagnant.' He then kissed her lips, saying: 'Blessed be thy lips, which shall utter the Holy Names. Abide with me; let me place my cold hand on thy heart.' And shereplied, Let us BOTHlay our hands, eachunto the heart of the other, thereby claiming and uniting each unto the other. In this way may I rule my kingdom of birth, creation, and life; yet share with you your kingdom of death, rejuvenation, and rest. United in Perfect Love and Perfect Trust, that the Universe may be whole and the Wheel turn smoothly. Death replied, 'This is indeed WISDOM, So Mote it Be!' They embraced, thus pledging their eternal love. And he taught her all his mysteries, and gave her the necklace which is the circle of rebirth. And she taught him her mystery of the sacred cup which is the cauldron of rebirth. They loved, and were one; for there be three greatmysteries in the life of mankind, and magic controls them all. To fulfil love, you must return again at the same time and at the same place as the loved ones; and you must meet, and know, and remember, and love them again. But to be reborn, you must die, and be made ready for a new body. And to die, you must be born; and without love, you may not be born. And our Goddess is ever inclined to love,and mirth, and happi- ness; and guards and cherishes her hidden children in life, and in death she teaches the way to her communion; and even in this world she teaches them the mystery of the Magic Circle, which is placed between the worlds of men and of the Gods. And thus we are taught of the beginnings of the wheel of the year 1924 wherein the Lord and the Lady share their rulership of the year, each offering and sharing a balance to the other, and the basis of that sharing. 1925 The Charge of The God (c) 1986, Kyri Comyn "I am the strength of the rock at thy back, the roots of the tree that anchor the Earth and deepest of tides in the black depths of the ocean. I am the Hunter and the Sacred Prey, the warmth of the sun in the swelling grapes and the call of the road that leads over the hill. I give you, my creatures, the fire of love, the power of the wind on your face, shelter from the darkest storm. You are dear to me, and I instill in you my power...the power of peace hard earned, the power of vision and magical sight, and the spark of elemental fire, which is the primal light in the darkness. By the powers of running stag and glorious sun, I charge thee; by the darkest depth of night and the lingering tendrils of dreams, I charge thee; and by the beauty of your own creation, I charge thee; Follow your heart and your instinct, wherever they lead you. The wealth of the heart will guide you where the cold edge of logic cannot take you. Take joy in the powers of your bodies. The form your body takes is unique in the universe and is chief among your tools. Lastly, always remember the path you have left behind you. Learn to take your power from the foolish things you have wrought as well as the good you have done for others and for your world. You can never usurp another's power, and yours is the well upon which you must rely. I am with you always, just over your shoulder, running with you through the tall grasses and forests that surround you. I possess you and I am your Sacred Prey. I am the Lord of Death, and when you have come to the end of your life on this world, I will be there; to take you between the worlds, to offer you peace and rest. Look upon my face; know me. I am the spirit of the wild things, but you too, are wild in your souls and we are forever intertwined." 1926 The Charge of the Goddess (c) 1986, Kyri Comyn "I am the quickening of the seed in Springtime, the glory of ripe fields in Summer, and the peace of the quiet woods as the snow calms the Earth in Winter. I am the lilt of the maidens' melody in the morning, the patient hand of the Mother and the deep river of the mysteries taught by moonlight. I give the creatures of the earth the gifts of song rising from the heart, the joy of autumn sunset, the cool touch of the renewing waters, and the compelling call of the drum in the dance. To you I give the joy of creation and the companion of beauty to light your days. By the powers of the steadfast Earth and the wheeling stars I charge thee; by the darkness of death and the white light of birth I charge thee; and by the terrible strength of your human spirits, I charge thee: Strive always for the growth of your eternal soul, never intentionally diminish your strength, your compassion, your ties to the earth or your knowledge. Challenge your mind, never accept complacently that which has been the standard merely for the reason that it is the standard by which the majority judges itself. Thirdly, I charge thee, act always for the betterment of your brothers and sisters. To strengthen them is to forge the true chain of humanity, and a chain is only as strong as its weakest link. You are my children, my brothers and sisters and my companions. You are known in great part by the company you keep, and you are strong and wise and full of the powers of life. It is yours to use them in my service, and I also, am known by the company I keep. Go forth in joy and the light of my love, turning to me without fear when the darkness threatens to overcome you, and turning also to me to share your triumphs and your achievements, and know in your heart of hearts that we are together in blood and spirit 'til the last star darkens in the sky and winter comes to the universe." 1927 Charge of The Horned God V. West Hark unto me: for I am He who has existed throughout all time. I was there from the beginning; it was my potency that charged the fertility of the Great Mother and created life from her empty womb. Myself itis inthewinds thatsweep theworlds;myself itis in the flames that give warmth and light to all beings. I am he who provides: the Green Man of field and forest fruitfulness; the lust of the bull that engenders life upon the cow; the strength of the boar that engenders life upon the sacred sow of Ceriddwen; the speed of the stag running free in the forest that no hunter can bring down save he who speaks the sacred words to call unto the spirit of the fleeing stag. I am Lord of theDance; he who swirls throughthe starry universe with the world at his heels. I am he who dances on mountain and plain and hearth, and he who captures all things in his dance. AndI amalso KernnuntheDark Hunter;he withvisage asdark as void and armour bright with flame. My name is Lord of the Hunt; my prey those souls who needs must die and descend into the dark, chthon- ic depths of my bowel. For I bring life but death also; I am he at the gateway of the worlds, and to me shalt thou come in the end, thou who art my child and my prey. . (written November 1989) 1928 ======RHYMING CHARGE OF THE GODDESS====== I am the harmonious tune of the songbird And the laughter of a gleeful child. I am the bubbling sound of the running brook And the scent of the flowers wild. I am the floating leaf upon the breeze And the dancing fire in the forest glade. I am the sweet smell of rains upon the soil. And the rapture of passion when love is made. I am the germination of seed in the Spring And the ripening of wheat in the Sun. I am the peaceful depth of the twilight That soothes the soul when day is done. I am found in the twinkling of an aged eye... And found in the birth of a newborn pup... Yes...Birth and Growth and Death, am I I am the gracious Earth, on whom you sup. I am your sister, your mother, the wise one. I wrap you gently in the warmth of my love. That which your seek you shall find within: Not without...not below...not above! Remember always, my children, be reverent. Be gentle, loving and kind to each other And hold sacred the Earth and its creatures: For I am the Lady: Creatrix and Mother! -Kalioppe- 1929 Aint! By: Ellen Reed (First part is spoken) I meet many kinds of pagans everywhere I go. The other day I met a grup who worshipped GI Joe. There are many pagan pathways, some ancient and some quaint. I thought I'd take this chance to speak of several things that ain't! Being in the SCA does not make you a pagan Whatever faith your personna doth profess. A pentagram on your device Don't make you pagan, though it's nice. A ritual robe is more than fancy dress! CHORUS: Don't make a mockery of all I hold dear. My path is not a hobby or a game. It isn't something that you play, It's something you live every day And if you don't, you don't deserve the name. Going to a sci-fi con does not make you a pagan However great a filker you may be. The spiritual path that I am on Is more than "Mists of Avalon" Or any other book by MZB! CHORUS: Don't make a mockery of all I hold dear. My path is not a hobby or a game. It isn't something that you play, It's something you live every day And if you don't, you don't deserve the name. Playing advanced D&D does not make you a pagan However high a level you may be. I hate to sound like such a bitch, But spell points don't make you a witch! Initiations don't come with EP! CHORUS: Don't make a mockery of all I hold dear. My path is not a hobby or a game. It isn't something that you play, It's something you live every day And if you don't, you don't deserve the name. 1930 "Gimme" By Ellen Cannon Reed I'm a solitary pagan And I want to learn the Art. So I've gone to many teachers And I've asked them from my heart. But everyone I've gone to Has balked at teaching me, And I just don't understand it, 'Cause I begged on bended knee: GIMME GIMME GIMME Everything that you've got. GIMME GIMME GIMME Right here on the spot. GIMME GIMME GIMME! I'm entitled, you know, I'm a witch 'cause Starhawk told me so. I don't want to join a tradition. Wanna do things my own way, And the way I'll do them tomorrow Won't match what I'll do today. I don't want just one tradition, 'Cause it won't give me enough, And I think that all of the teachers Should just hand over their stuff. GIMME GIMME GIMME Everything that you've got. GIMME GIMME GIMME Right here on the spot. GIMME GIMME GIMME! I'm entitled, you know, I'm a witch 'cause Starhawk told me so. I don't want to make a commitment 'Cause I might not have the time. And they tell me I'll have to work hard! Well, I think that that's a crime. Some said if I don't do reading That I do not stand a chance. Well, I've done all the reading I need to do, 'Cause I just read 'Spiral Dance." GIMME GIMME GIMME Everything that you've got. GIMME GIMME GIMME Right here on the spot. GIMME GIMME GIMME! I'm entitled, you know, I'm a witch 'cause Starhawk told me so. 1931 Eyes of a DYKE by Vivienne West "She's one, you know," Anne said, not entirely pleasantly. "Yeah, it shows. You know, in two years she's never once worn a skirt?" "And she walks so heavy. Not like a woman at all." "You got to admit she takes care of her face, though." "Yeah, but in that job you have to." "You never know, she might be straight," I said, joining the conversation for the first time. They both turned looks of disbelief at me. "Maybe, for all you know, I might be gay," I added, to reinforce the point. They relaxed and laughed. I was wearing a peasant skirt and embroidered blouse. The conversation turned to other things. Just before the teabreak I went to the ladies. There was no one there. Washing my hands under the tepid water ruminatively, I looked at my reflection in the dirty mirror. Did that look like the face of a lesbian? Round, soft features framed by wavey, long hair that was always untidy and looked rather good untidy. A neck with a string of jade beads around it, a neck white and soft. I returned to my desk. One of the managers was leaving the room just as I got back. "He asked if we knew what you were doing over the weekend," Sandy informed me. "If you ask me, I think he fancies you." "He's all right," said Anne. "Wish he'd ask after me, that's all. Will you talk to him?" "I don't see why," I replied evenly. "Oh! Got a new boyfriend?" "No," I smiled. "But that doesn't mean I'm looking, either." "Sure." They both smiled in disbelief. * * * When I let myself in, the house smelt faintly of incense. Bounder, the overenthusiastic labrador cross we had inherited from the last tenants, was not around, nor was Yvonne. They must have been at the park. I put the shopping down on the floor, put on the kettle, lit another joss-stick and made tea, watching the thin stream of smoke curl up towards the ceiling in the faint arabesques of a strange language. Later, the shopping still waiting to be put away, I listened to the sounds of the bouncy dog and the front door opening. He greeted me wetly, jumping all over me and the chair I was occupying. Yvonne greeted me casually, brushing cool lips lightly across my forehead. "Hungry?" "Not really." 1932 "Okay." (How do you say I love you without using words? How do you convey the ache in the belly without moaning?) I went to bed early, listening to the silent sounds of Yvonne working at her books in the next room. Every so often a muttered curse, or the clatter of a dropped pencil. Bounder, I knew, lay over her feet under the table. I drifted over and around the edge of sleep. I didn't notice her come into the room and undress, but I roused slightly and moved towards her as she slipped into the bed. "Sssh," she soothed, stroking my arm gently. "Go back to sleep." "You know what they were talking about," I muttered through the incoherence of sleep, my lips feeling thick. "Dykes." I relished the word: I knew she hated it. "They were talking about dykes. They think I'm straight." I could feel a hysterical giggle rising in me, but I didn't have the energy to let it out. Instead I drifted back to sleep, not knowing or caring if Yvonne had understood me. In the morning I stood naked in front of the bathroom mirror brushing my teeth as she showered. She was singing under her breath, splashing the mouldy walls with soapy water as she washed. I gargled and spat, and searched my eyes closely, deep blue eyes with startling white lines running from the pupils to the very edges of the irises. The eyes of a dyke. 1933 Second Ritual For Bast Chris Olmstead Gwen called me up to tell me that her nineteen-year old Siamese cat Coco, who raised her from a small child and taught her innumerable wisdoms, had just come out of surgery and was not doing well. She talked about how her sister Lisa went to the vet every day to sit with him, talk to him, and give him her love. Gwen said she was burning a blue candle next to his picture in order to promote his healing, and was that O.K.? To answer her I mentioned as a gentle aside that I had heard that green was also good for healing. We talked cats for a while. She cried. I remembered Buttons, fought tears, and then I understood what pain she faced here. She kept talking until I offered that I too might do a healing spell on his behalf. She jumped on my words with an eager "Oh! Would you?!" and I suddenly understood the real question behind this phone-call. I explained that a cat who has seen nineteen summers has really had the best of it already, and that a spell which holds him to a body which is obviously failing him might be no kindness. She agreed. I explained that he might just be ready to go, now...since she has been raised, and even her little sister Lisa--with whom Coco lived--had just graduated college. I agreed to do a spell which sent him energy to do with as he chose, either to heal or to move on. She made a hopeful sound that with healing, he might choose to stay, then she hung up. I went quiet, thinking how best to do this. I mentally reviewed past spells that have worked, and why. Spells of "recovery" (whether they have been for illness, or finding Buttons when he was lost in a strange and distant city, or simply gaining the return of stolen things) have worked best when I look at the web as it was before the undesired event, compare it to the web as it is after, and (if the difference is not too great) then shape the web with my mind until it resembles what has been and consequently have the item in question pop back into my reality like a watermelon seed squeezed between thumb and forefinger. Here I sought to couch this knowledge within the Wiccan framework I am studying. I understand how the use of a ritual (or a language, an image, a habit, anything) taps into all those who have ever used the same thing, and knits their gifts together on the time-line. More mundanely, I understand how my own establishment of the habit of ritual will build powerful cues in my mind which make spell-work more efficient. Out of respect for what my teachers have been showing me, I determined to do it perfectly...while no one was around for me to feel awkward before. How might my Priestess teacher compose her Altar? What things, and what Deity shall be the focus? Well, obviously Bast...and such things as Bast might like. I thought back to the ritual I wanted to do with Bast for healing Le-oh. I plundered the memory of it for useful items. I remembered: Bast likes golden necklaces and other shiny things, images of cats, soft lights that don't damage night vision, and suddenly, I laughed aloud as I was inspired to offer Her cat-nip. It just felt right. So I laid these all out (along with the "usual" things): My first piece of jewelry--a golden cat pin, inscribed "Save a Cat" from the Save a Cat League of New York, my finest gold chain, two teak cats from the orient, my golden ankh, scarab necklace, and the spread-winged Horus-falcon I got when I visited the exhibition of Ramses II. I placed a bud-vase next to the water cup and went out 1934 into the night to gather a perfect sprig of fresh cat-nip. A deep breath, and I began by lighting the tiny oil lamps on Her Altar... Standing before Her altar I closed my eyes and reached for the images of the web when Coco was well and compared how it is now. Images slipped and swam. The differences were great. I pictured Gwen, her candles and photographs, and knitted us all into the circle with a breath. Then the images left. I opened my eyes and spoke softly but aloud. (I'm trying to cultivate that ability.) Before me, my cat images glimmered. I remembered the scene where Thomasina visits Bast. I went there too. I breathed energy into myself, and held it in my belly, as my Sensei taught me. Then I said: "Oh Bast--I'm here on behalf of your charge Coco, and his human, my friend Gwen. Coco is old, and it may be that his time has come. It's true he has lived long, but some cats do live longer. If this is still something about which there is uncertainty and choice, let him use this energy to heal. If it is really time for him to go, then I don't wish to stop him. Let him use this energy to go on into what ever comes next for him, and have an optimum and right... 'coming forth into the day'." (I wanted to say 'death and re-birth,' but suddenly that wasn't accurate here...) I then continued, asking: "Oh Bast, how hard is it to just let things be as they have been, for just a little longer? He is old, but old-age isn't a crime..." and suddenly a voice broke in just behind my right ear, and in perfectly lucid English She answered softly: "...and Death is no punishment." It shook me a moment. As soon as She said it I recognized She was right-- (hence--right side? Or R/L Brain?) It humbled me to realize I had thought that death WAS punishment. I knew that She was gone as soon as She had spoken, and there would be no point to turning to look. I felt the energy go out of me toward Coco, and I knew the spell had worked but that I hadn't gotten the answer Gwen wanted. That saddened me, even knowing what She said. I thanked Bast, thanked and dismissed the watch-towers, and went to bed to think about it all. Early the next morning Gwen called to thank me for talking to her, and to tell me there was no need to make the spell for Coco. He had died in his sleep during the night...now at least he wouldn't have to face another surgery. I told her I had already done the spell, and it was my feeling that Coco was o.k. I mentioned that I thought he had taken the energy for use in his next reality. I said everything I could think of to help her feel better. I don't recall whether I told her what Bast said to me or not. When I went to the altar to take it all down, I noticed the water level on the cat-nip had dropped below the stem and it had withered. Somehow that was fitting. It meant many sad and happy things all at 1935 once. It meant that She had accepted the gift by taking the essential freshness of the offering; It meant that things die, and that's natural; It meant that when the vitality is gone, the flesh can not stay. So it is with what I know of death. WCC BELTANE RITUAL By Lynna Landstreet Personnel required: Several drummers and other musicians if possible. A priest and priestess who will represent the God & Goddess (and should be garbed appropriately), referred to herein as P & PS, plus a priest or priestess who will read the meditation and "stage-manage" the ritual (referred to herein as "N" for Narrator) Tools/Supplies required: Very few. Thereshould be afire in the centreof the circle,and a chalice of wine and a bowl of Nine Holy Herbs spray or other concentrated alcohol (we ended up using Jamaican overproof rum, which worked very well -- flared up about six feet high!). Bring in the people and have them sit. Have the musicians sit together in an inner semi-circle, behind the Narrator. One drummer should be playing a slow, hypnotic heartbeat during the first party of the ritual. The priest and priestess who will represent the God and Goddess should be hiding near the circle, and approach when the part about them drawing near begins. N: "Beltane means many things. It is a celebration of spring coming into full flower, of the return of the Goddess from the underworld, the mating time of the animals, the return of the sun, and many other things. Above all, it is a celebration of life. But for us, here in this community, it is also the time when we leave the confines of our building and return to the temple of the forest. "Wicca is a nature religion, but too often we worship in concrete cages, cut off from that nature, and from our own natures. And as we have now returned to nature in our choice of ritual site, I ask you tonight to return to nature in your hearts and minds as well, for the ways of the world within walls are not necessarily the same as the ways of the world outside. "We meet in a small fragment of forest, within acity park. But now, I ask you to forget the city that surrounds us. In your mind's eye, let the city fade away and the forest extend on and on, covering the land that only moments ago was buried under concrete. For once this land was wild, and covered with trees, not buildings. Once the rivers and streams ran free, and the air was fresh and fragrant with the scent of cedar and sweet fern, not fouled by car exhaust and factory smoke. And it may be that one day, it will be so again, we have no way of knowing. "But for now, picture the forest extending on and on,as far as you can imagine, in all directions. The great wild forest surrounds and embraces us, and we are the people of the forest. "Herein the greatwild forest, we haveno need ofa sword to cast 1936 the circle, for we have each other, our hands, our minds, our bodies. Join hands, and breathe in deeply, and breathe out, as one. Feel the circle being formed now by our touch, the energy leaping from hand to hand, deosil, around the circle. Feel it forming, a place set apart from the trials of daily life, a sacred, wild place... "Here in the great wild forest, we have no need of a besom to cleanse our circle, for we meet in the wilderness, which is already clean and pure, and by its touch are we made clean and pure ourselves. Feel all fears, doubts and negativities ebbing away from you, as the forest absorbs them and transforms them to good... "Here in the great wild forest, we have no need of incense to purify our circle, for we have the arching sky above our grove, and the rushing wind that ruffles our hair and caresses our skin. Breathe deeply, and take the wind and the sky into yourself. The spirits of the air are here always, it is we who have come to their place. Greet them, now, silently, in your own way... "Here in the great wild forest, we have no need of a candle to purify our circle, for we have the balefire in the centre of our circle, and the stars above. See the leaping flames now, hear their crackle, and see them reflected in the tiny fires in the sky above us. Feel their warmth, and take them into yourself. The spirits of the fire are here always, it is we who have come to their place. Greet them, now, silently, in your own way... "Here in the great wild forest, we have no need of a water bowl to purify our circle, for we have the rushing stream in the valley beside us, and the dew that moistens the grass. Hear the water's call, now, feel the rising dampness in the air, and take it into yourself. The spirits of the water are here always, it is we who have come to their place. Greet them, now, silently, in your own way... "Herein the great wildforest, we have no needof salt to purify our circle, for we have the earth itself, beneath us, and the firmness of our own flesh and bones. Feel the solidity, the vastness, of the earth, and take it into yourself. The spirits of the earth are here always, it is we who have come to their place. Greet them, now, silently, in your own way... "Open yourself, now, to the pulseof life all around you. It is there, if you can free your spirit enough to sense it. Feel the life straining to be born in every sprouting seed, the exhilaration of the blossoms bursting from their buds on the trees, the joy of the very grass itself, of every bush and shrub and piece of moss, greening again as the earth is warmed by the sun, as the life-giving rains fall from the sky, and all of nature is borne into the ecstatic dance of life's return. And feel, in the midst of it all, the presence of the Lord and Lady, who are the soul of all nature, the consciousness of the wild, the beauty of the green earth, the sun and moon and stars, and the mystery of the waters. Feel them approaching! Even now, they near our circle, drawn by our love and our joy in their creation. Feel their power, their nearness... they approach... they come... THEY ARE HERE!" Narrator throws the Nine Holy Herbs into the fire. Asit flares up, the drummersbegin todrum, and thepriest and priestessrepresen ting the God and Goddess runinto the circle and beginto dance wildly around the fire. After a couple ofrounds, they each pull someone in from the circle to dancewith them a few rounds, then each of the four pull other people in, and so on, until the whole 1937 circle is up and dancing (in high school they called this a snowball dance, remember?). As the dance reaches its peak, the priest and priestess take the chalice,and hold it up above theheads of the dancers to charge it (this ismade easier if yourcircle site is surroundedby park benches likeours is). If theenergy is really happening,a formal wineblessing shouldn't be necessary, butone may be performed anyway if desired. When the wine has beencharged, the narrator calls "Down!" and people fall to the ground. 1938 N "Feel the energy swirling up and up above us, forming a fiery cone. See it explode in a shower of fireworks, the energy spiraling down to the earth like shooting stars, adding power to the transformation that is already underway, blending with the energy of every leaf and bud and blossom to aid in the greening of the earth. (Pause) Now rise, and join hands once again." Priest and priestess take chalice around circle, and kiss each person before giving it to them, while people sing: "Powers of the Earth Powers taking form Rising to rebirth, Rising to be born." When chalice returns, pour libation into the fire. N "We need not bid farewell to our Gods, nor to the spirits that surround us, the wind, the fire, the stream, or the earth, for they are always here. It is we who shall take our leave of them, later on, and when we do, each of us shall say our own farewell, in our own words. But for now -- LET THE CELEBRATION BEGIN!!!" People feast, dance, make merry, etc. 1939 Yule Carols courtesy of Green Egg (Yule '92 issue) Ye Children All of Mother Earth (It came upon a midnight clear...) Ye children all of Mother Earth join hands and circle around To celebrate the Solstice night When our lost Lord is found. Rejoice, the year has begun again The Sun blesses skies up above So share the season together now In everlasting Love! ======================================= Gloria Snow lies deep upon the Earth Still our voices warmly sing Heralding the glorious birth Of the Child, the Winter King Glo -- ria! In excelsis Deo! Glo -- ria! In excelsis Dea! Our triumphant voices claim Joy and hope and love renewed And our Lady's glad refrain Answer Winter's solitude Glo -- ria!(etc.) In Her arms a holy Child Promises a glowing Light Through the winter wind so wild He proclaims the growing Light. Glo -- ria! (etc..) Now the turning of the year Of the greater Turning sings Passing age of cold and fear Soon our golden summer brings. Glo -- ria! (etc..) 1940 =============================== Oh, Come, All Ye Faithful! Oh, come all ye faithful Gather round the Yule Fire Oh, come ye, oh, come ye, To call the Sun! Fires within us Call the Fire above us O, come, let us invoke Him! O, come, let us invoke Him! O, come, let us invoke Him! Our Lord, the Sun! Yea, Lord, we greet Thee! Born again at Yuletide! Yule fires and candle flames Are lighted for You! Come to thy children Calling for thy blessing! O, come let us invoke Him (x3) Our Lord, the Sun! ========================= Silent Night Silent night, Solstice Night All is calm, all is bright Nature slumbers in forest and glen Till in Springtime She wakens again Sleeping spirits grow strong! Sleeping spirits grow strong! Silent night, Solstice night Silver moon shining bright Snowfall blankets the slumbering Earth Yule fireswelcome the Sun's rebirth Hark, the Light is reborn! Hark, the Light is reborn! Silent night, Solstice night Quiet rest till the Light Turning ever the rolling Wheel Brings the Winter to comfort and heal Rest your spirit in peace! Rest your spirit in peace! 1941 ======================================== Glory to the New Born King Brothers, sisters, come to sing Glory to the new-born King! Gardens peaceful, forests wild Celebrate the Winter Child! Now the time of glowing starts! Joyful hands and joyful hearts! Cheer the Yule log as it burns! For once again the Sun returns! Brothers, sisters, come and sing! Glory to the new-born King! Brothers, sisters, singing come Glory to the newborn Sun Through the wind and dark of night Celebrate the coming light. Suns glad rays through fear's cold burns Life through death the Wheel now turns Gather round the Yule log and tree Celebrate Life's mystery Brothers, sisters, singing come Glory to the new-born Sun. 1942 The Corn Play (Lammas Ritual) Coven of the Morning Star and Stella Maris Coven Requirements: Lammas Lord Crown (Wheat, Rye, Corn, fruit and flowers) Corn Queen Crown (Wheat, Rye, Corn etc) Fresh-baked bread Honey Red Wine Cords to bind the Lammas Lord Green cloth to cover him Lammas Cup and cloth to polish "John Barleycorn" music Ritual Begins: Priestess and Priest cast circle and invoke quarters (Lammas Lord and Corn Queen remain outside circle). A gateway is cut, and everyone calls to the Corn Queen to enter the circle: Queen of the Corn, Queen of the Fertile Earth; come to us now, for we have need of you & etc. The Queen enters, and then leads the call for the Lammas Lord to enter the circle. God of the Meadow, God of the Hill, God of the Corn and of our True Will, come to us now, for we adore you & etc. The Lammas Lord stands in the centre of the Circle, and is washed by the women (each Priestess takes the aspergillus in turn, and asperges the Lammas Lord - Corn Queen first). Then each one polishes the Lammas Cup, which is returned to the altar, and filled with red wine. (Corn Queen takes cup and cloth to each person). Then the Queen stands before the Lammas Lord and says: To kill the King (Coven: For what purpose kill?) To feed the land (Coven: What feeds the land?) The blood of the King The honour of the King The life of the King Two priests step forward, and bind the Lord's hands behind his back, and tie his ankles together. NB: do not knot the cords, as the Lammas Lord must be able to extricate himself from the bindings. 1943 The men all turn and face outwards from the circle. The Corn Queen takes her athame, and the cup of wine, and "cuts the throat" of the Lammas Lord, catching his blood in the chalice. The women help the Lammas Lord to the ground, and cover him with the green cloth. His crown is placed upon the bread, on the altar. A female Elder stands at the head of the Lammas Lord, and a Maiden stands at his feet. They are his mourners. The men turn back into the circle, and the Corn Queen leads the weaving dance to "John Barleycorn". When the music finishes, all stand facing outwards (including Elder and Maiden). The Lammas Lord removes his binds and cover, and silently makes his way to the altar. He takes up the bread and wine, and leaves his crown on the altar. He returns and stands centre. The Corn Queen acknowledges the mystery of the re-born grain: "Behold the Mystery! The grain, the crop, the food." As she speaks, everyone turns and faces in once more. The Queen steps forward, and kneels before the re-born grain saying again, "behold the mystery". She rises, and drinks from the cup. The "Lammas Lord" breaks a piece of bread for her, which he gives to her as she hands back the cup. She walks to the altar, and dips the bread in the honey. Then the next person steps forward, and repeats her actions. Then each in turn until all have knelt to the re-born grain, and had some wine, bread and honey. It is important that the Lammas Lord does not speak throughout the ritual. The circle is closed, and the feast begins. This ritual is freely adapted from a traditional ritual practised in the north of England. 1944 FOOD FOR THOUGHT ---------------------------------------------------------------------- SYSOP'S NOTE: This excellent food-for-thought was downloaded from EarthRite BBS, 415-651-9496. - Talespinner, Sysop, WeirdBase ---------------------------------------------------------------- LOOKING AT YOURSELF before you go a step further, take a good long look at your desires, motivation and skills. What role do you see yourself playing in this new group? "Ordinary" member? Democratic facilitator? High Priestess? And if the last -- why do you want the job? The title of High Priestess and Priestess are seductive, conjuring up exotic images of yourself in embroidered robes, a silver crescent (or horned helm) on your brow, adoring celebrants hanging on every word which drops from your lips... Reality check. The robes will be stained with wine and candle wax soon enough, and not every word you speak is worth remembering. A coven leader's job is mostly hard work between rituals and behind the scene. It is not always a good place to act out your fantasies, because the lives and well-being of others are involved, and what is flattering or enjoyable to you man not be in their best interest. So consider carefully. If your prime motive is establishing a coven is to gain status and ego gratification, other people will quickly sense that. If they are intelligent, independent individuals, they will refuse to play Adoring Disciple to your Witch Queen impressions. They will disappear, and that vanishing act will be the last magick they do with you. And if you do attract a group ready to be subservient Spear Carriers in your fantasy drama -- well, do you really want to associate with that kind of personality? What are you going to do when you want someone strong around to help you or teach you, and next New Moon you look out upon a handful of Henry Milquetoasts and Frieda Handmaidens? If a person is willing to serve you, the they will also become dependent on you, drain your energy, and become disillusioned if you ever let down the Infallible Witch Queen mask for even a moment. Some other not-so-great reasons for starting a coven: a) because it seems glamorous, exotic, and a little wicked; b) because it will shock your mother, or c) because you can endure your boring, flunkie job more easily if you get to go home and play Witch at night. Some better reasons for setting up a coven, and even nomination yourself as High Priest/ess, include: a) you feel that you will be performing a useful job for yourself and others; b) you have enjoyed leadership roles in the past, and proven yourself capable; or c) you look forward to learning and growing in the role. Even with the best motives in the world, you will still need to have -- or quickly develop -- a whole range of skills in order to handle a leadership role. If you are to be a facillitatir of 1945 a study group, group process insights and skills are important. These include: 1) Gatekeeping, or guiding discussion in such a way that everyony has an opportunity to express ideas and opinions; 2) Summarizing and clarifying; 3) Conflict resolution, or helping participants understand points of disagreement and find potential solutions which respect everyone's interests; 4) Moving the discussion toward consensus, or at any rate decision, by identifying diversions and refocussing attention on goals and priorities; and 5) Achieving closure smoothly when the essential work is compleated, or an appropriate stopping place is reached. In addition to group process skills, four other competencies necessary to the functioning of a coven are: ritual leadership, administration, teaching, and counseling. In a study group the last one may not be considered a necessary function, and the other three may be shared among all participants. But in a coven the leaders are expected to be fairly capable in all these areas, even if responsibilities are frequently shared or delegated. Let us look briefly at each. Ritual leadership involves much more that reading invocations by candlelight. Leaders must understand the powers they intend to manipulate: how they are raised, channeled and grounded. They must be adept at designing rituals which involve all the sensory modes. They should have a repertoire of songs and chants, dances and gestures or mudras, incense and oils, invocations and spells, visual effects and symbols, meditations and postures; and the skill to combine these in a powerful, focused pattern. They must have clarity of purpose and firm ethics. And they must understand timing: both where a given ritual fits in the cycles of the Moon, the Wheel of the Year, and the dance of the spheres, and how to pace the ritual once started, so that energy peaks and is channeled at the perfect moment. And they must understand the Laws of Magick, and the correspondences, and when ritual is appropriate and when it is not. By administration, we refer to basic management practices necessary to any organization. These include apportioning work fairly, and following up on its progress; locating resources and obtaining them (information, money, supplies); fostering communications (by telephone, printed schedules, newsletters etc.); and keeping records (minutes, accounts, Witch Book entries, or ritual logbook). Someone or several someones has to collect the dues if any, buy the candles, chill the wine, and so forth. Teaching is crucial to both covens and study groups. If only one person has any formal training or experience in magick, s/he should transmit that knowledge in a way which respects the intuitions, re-emerging past life skills, and creativity of the 1946 others. If several participants have some knowledge in differing areas, they can all share the teaching role. If no one in the group has training and you are uncertain where to begin, they you may need to call on outside resources: informed and ethical priest/esses who can act as visiting faculity, or who are willing to offer guidance by telephone or correspondence. Much can be gleaned from books, or course -- assuming you know which books are trustworthy and at the appropriate level -- but there is no substitute for personal instruction for some things. Magick can be harmful if misused, and an experienced practitioner can help you avoid pitfalls as well as offering hints and techniques not found in the literature. Counseling is a special role of the High Priest/ess. It is assumed that all members of a coven share concern for each other's physical, mental, emotional and spiritual welfare, and are willing to help each other out in practical ways. However, coven leaders are expected to have a special ability to help coverners explore the roots of teir personal problems and choose strategies and tactics to overcome them. This is not to suggest that one must be a trained psychoanalyst; but at the least, good listening skills, clear thinking and some insight into human nature are helpful. Often, magickal skills such as guided visualization, Tarot counseling and radiesthesia (pendulum work) are valuable tools as well. Think carefully about your skills in these areas, as you have demonstrated them in other organizations. Ask acquaintances or co-workers, who can be trusted to give you a candid opinion, how they see you in some of these roles. Meditate, and decide what you really want for yourself in organizing the new group. Will you be content with being a catalyst and contact person -- simply bringing people with a common interest together, then letting the group guide its destiny from that point on? Would you rather be a facilitatir, either for the first fonths or permanently: a low-key discussion leader who enables the group to move forward with a minimum of misunderstanding and wasted energy? Or do you really want to be High Priestess -- whatever that means to you -- and serve as the guiding spirit and acknowledged leader of a coven? And if you do want that job, exactly how much authority and work do you envision as part of it? Some coven leaders want a great deal of power and control; others simply take an extra share of responsibility for setting up the rituals (whether or not they actually conduct the rites), and act as "magickal advisor" to less experienced members. Thus the High Priest/ess can be the center around which the life of the coven revolves, or primarily an honorary title, or anything in between. That is one area which you will need to have crystal-clear in your own mind before the first meeting (of if you are flexible, at least be very clear that you are). You must also be clear as to your personal needs on other points: program emphasis, size, meeting schedule, finances, degree of secrecy, and affiliation with a tradition or network. You owe it to prospective members and to yourself to make your minimum requirements known from the outset: it can be disastrous to a group to discover that members have major disagreements on these points after you have been meeting for six months. 1947 The Heirophant "An official expounder ofsacred mysteries or religious cere- monies,esp. in ancient Greece; an initiating or presiding priest" - OED. I generally use it in the "initiating priest/ess" context (CM heritage,that). Those who hold the power *and authority* to initiate others into our particular Trad, are hierophants when they actually exercise that power. Most of usare explicitlyoathbound to ensurethat thecandidate is a worthy person, properly prepared to receive what we are about to confer,and that the rite of adoption/initiation is correctly done according to Trad standards. Those Trads who've dispensed with oaths still, implicitly,expect something rather similar. When I consider acandidate for initiation,I first look tosee whether I have a 'proper person' according the expectations of my Art. Next I look to see whether the Lady's Initiation rests upon them. Lastly, I look to see that s/he understands what s/he is about to promise, and has the skills necessary to carry it out (the gumption to stand by his/her oath is part of 'proper person', IMO). While the marks ARE plain to see,speculation by the uninitiated notwithstanding , all three ARE judgement calls on my part. Then again, ANY situation touching upon my Oath requires a judgement call on my part. At1st Degree,Alexandriantradition permitsme toextend benefit of the doubt in cases where the marks are recent enough that they shine but dimly (or where the candidate's history leads one to suspect s/he may not feel bound to stand by what s/he swears to). Gardnerian tradition does not. Then again, H'Alexandrian tradition requires that no benefit of the doubt be granted at 2nd Degree, whereas Gardnerian tradition again contradicts. In either case, a 2nd of either Trad has been put to the test and found fully appropriate to the Trad in the judgement of his/her heirophant, we simply do it at different degrees. (That's the theory,anyway, and why we come down so hard on those who f*ck-initiate.) 1948 RAVEN GRIMASSI ON HEREDITARY ITALIAN WITCHCRAFT [Conversations arising from Raven's posts are included with the material to which they refer, but are indented to make them less intrusive.] THE OLD WAYS: THE SPIRIT FLAME I would like to share some of the Old Hereditary Ways here, and invite others to post their techniques for Ritual or Magic, etc. I know many of you choose to believe that we Hereditary Witches do not exist, but that's O.K., you may still find this info of use (or at least of some interest). This first post is about what we call The Spirit Flame. In the Aridian Tradition, it is the focal point of the altar. A bowl is placed upon the center of the altar, and is filled with a special liquid, which will burn a blue flame. The appearance of the blue flame represents the presence of Divinity, within the ritual setting. The use of fire as a sacred symbol is one of the most ancient of practices. If you wish to experience the Spirit Flame, you can perform the following, using any high quality perfume, or cologne. Strega Liquore is excellent, and contains all but one of the original ingredients (it is quite expensive, however). Place the bowl in the center of your altar (the bowl must be able to hold fire). Fill the bowl about half full. Set two altar candles, forward of the bowl, off to each side (you are forming a triangle; the bowl is the bottom point of an in- verted triangle). Light the candles, and extinguish any other source of light. With a ritual tool such as a wand or blade, trace a crescent over the liquid, and say: "In the name(s) of ____________ and by this sacred sign be this the Essence of the Divine" Then take a lit match and touch it, gently, to the surface of the liquid (do not use any liquid other than perfume or Liquor/ liquore). As you light the bowl say : "I call upon Thee ___________________ be Thou present at this sacred place " A beautiful blue flame will appear, and gently dance upon the surface of the liquid. We consider the flame to be sacred, and we use it to bless objects, empower tools, and create our ritual circles/sac- red space. Feel free to experiment with it, but please treat it with respect. Allow the flame to go out by itself. I have altered the wording, and omitted some of the gestures and invocations. You may insert the names of your own deities in the blank space. Even though altered, the technique here is sound, and should enrich whatever you may choose to do with the Spirit Flame. This ritual has been preserved among the Hereditary Clans, and is still an aspect of all ritual gatherings. It is the oldest of our "laws" that nothing may be removed from the Teachings, so we still 1950 keep the Old Ways alive (we can add to our material, but we cannot remove anything). In Italy, Strega Liquore has been used as the Spirit Flame liquid, since it was first distilled in 1873. Originally the recipe was sold to the Alberti family, by some Strega (Italian for witch), with the exception of one certain ingredient. Before this, a liquid made from a mixture of distilled grape wine, and distilled grain, was the basis for the Spirit Flame liquid. It was quite similar to Brandy, which was first distilled around 100 A.D. Scenes showing fermentation appear on pottery made in Mesopotamia as early as 4200 B.C. The earliest forms of Spirit Flame Liquid would have been a fermented substance, followed later by ones which were distilled. I am not at liberty to go into the individual ingredients, unfortunately. However, Strega Liquore is about as close as one can get without being initiated. If the Spirit Flame was used outside of Italy, I am unaware of it. But I would be happy to know that others had this Tradition as well. Don't laugh too hard at the following Raven... I experimented with lighting the Strega in my bowl, in my case a cast-iron chili pot cum cauldron. It does WHOOSH, doesn't it?! (No, I didn't set myself on fire). And the blue is love- ly... But everything got so hot that the Strega went into a rolling boil and essentially doused itself. IS this supposed to happen? I think I hear you laughing.... SeraLuna Dear SeraLuna, You can always pick out an Aridian, as they have no eyebrows, eyelashes, or hair!! Seriously though, no it isn't supposed to do that. I suspect that you used too much Strega Liquore, and that the pot was too big. A Chili pot full of Strega would... well, it would do exactly what you described! I am glad that you're OK. Next time use only a small bowl, no larger than a cereal bowl, and only use about 2 or 3 oz. of liquid. Many Blessings, Raven ---------- THE WALNUT WITCHES In Italy, there is a legend of Witch gatherings in the town of Benevento, at the site of an old walnut tree. Manuscripts from old witch trials in Italy, speak of this tree which (it was said) had always been there, and was in leaf all year long. The nuts of this tree, were said to have been of pyramid-like form. Many of these walnuts were sold as talismans and amulets. The tree was so huge, and its branches so thick with leaves, that its shade was said to be like night itself. It was considered sacred to Proserpine, Nox, Diana, and all Cthonic deities. The walnut witches were said to have been a very powerful society of witches. It was through their dedication that the Old Religion survived intact, during the Inquisition (and afterwards). 1951 In 662 A.D. Romuald, Duke of Benevento, lived in Benevento and was said to have joined in these celebrations at the walnut tree. In Benevento there also lived a man named Barbato. He was a christian, and later became a Bishop (eventually he was even sainted). Hard times befell Benevento, and the army of the Byzantine Emperor Constans II, was threatening to invade. Barbato went about the town blaming all the troubles of Benevento, on the witches and their religion. After cor- responding with Constans, Barbato approached Romuald, and said that he (Barbato) would perform a miracle and save Benevento, if given author- ity to "cleanse" the town of its "heathen sins". In desperation, Romuald agreed, and sure enough Benevento was not conquered (but it was attacked). Barbato had the Walnut tree cut down, and converted Romuald to Christianity. One story is told that Barbato had a church built upon the site of the old tree, and another that the tree was seeded in a different place, and still another that the tree grew again in the same spot. Whatever the case, my mother says that a walnut tree still stands in Benevento, in the Stretto di Barba, near the river. Witches still gather there today in secret. Benevento has long been associated with Witchcraft, and was once the sanctuary of the followers of Aradia, in the 14th Century. In Charles Leland's book ETRUSCAN MAGIC & OCCULT REMEDIES there are several exaggerated (but fun) stories of the good witches of Benevento. Leland also states that the witches of Benevento were very well known for their healing, and for dispensing coins to the poor. A last note of interest, Strega Liquor is made in Benevento (and has been for quite awhile). If you can find a bottle, check out the label. You'll find a picture of witches and satyrs dancing beneath a tree (walnut I assume ). ---------- THE WATCHERS In the early stellar cults, there were four "royal" stars (known as lords) which were called the Watchers. Each one of these stars "ruled" over one of the four cardinal points. The star Aldebaran, when it marked the Vernal Equinox, held the position of Watcher of the East. Regulus, marking the Summer Solstice, was Watcher of the south. Antares, marking the Autumn Equinox, was the Watcher of the west. Fomalhaut, marking the Winter Solstice, was Watcher of the north. Towers were constructed, bearing the symbols of these Watchers, for the purpose of evocation. During the "rites of calling" symbolic gestures were given and the names of the Watchers were called out. In the stellar mythos, the Watchers themselves were deities who guard the Heavens and the Earth. Their nature (and "rank") was altered by the successive Lunar and Solar cults, which replaced the Stellar Cults. Eventually the Greeks reduced them to Gods of the four winds, and the Christians made them principal-ities of the air. Their connection with 1952 the stars was vaguely preserved among the populace, in the concept of Angels. In the Italian system, these ancient Beings are called the Grigo- ri. They are the Guardians of the "doorways" between the physical plane and that which is beyond. In Italian witchlore, the stars were thought to be the campfires of the legions of the Watchers (there were other stellar associations as well). In the 16th Century, the French theologian Sinistrari spoke of Beings existing between "men and an- gels". He called them demons, and associated them with the Elemental natures of Earth, Air, Fire, and Water. This, however, was not a new concept, but was taught by certain Gnostic sects in the early days of Christianity. In the Old Testament (Daniel 4: 13-17) there is referen- ce to the Irin, or Watcher, which appear to be an order of angels. In his book DICTIONARY OF ANGELS, Gustav Davidson lists the Watchers as a high order of angels, known also as the Grigori. In Rabbinic lore, the "good" Watchers dwell in the 5th Heaven, and the "evil" Watchers dwell in the 3rd. In Aridian lore, the Watchers guard our circle and watch over us. They assist us in our spiritual growth, and "escort" us to the next realm, when we cross from physical life. We acknowledge them as Guar- dians of the entrances and exists, to and from the worlds which con- nect with the physical plane. We also know them as the Keepers of the Ancient Wisdom, and guardians of the Art. They are Clan Guardian spirits, known as The Old Ones. They are also pre-Christian and pre-Gardnerian. ---------- THE LARE In the Old Religion of Italy there are certain spirits called the Lare (pronounced Lar-ray), who are both protectors and preservers. In Roman mythology, they were house spirits/family spirits. Upon the home's hearth, a small Lare "house" (or chapel) was placed. Each one had a receptacle for offerings, which consisted of wine, honey, milk and flowers (or grain). The focal point of a Family is their home, and in olden times the focal point of the home was the hearth (the Latin word "focus", means hearth). The hearth held the fire which provided heat, and served to cook the meals. A prayer was said to the Lare every morning, and special offerings were made at family celebrations. These spirits were originally gods of the cultivated fields and were worshipped at the crossroads. In early Etruscan times, they were called Lasa. In Tuscany today, the word lasa refers to spirits. The Lare cult maintains a strong family connection, and is largely respon- sible for the existence of hereditary Italian witch families. Genera- tion after generation has remembered and honored the previous ones, passing on the ancient traditions of the Old Religion. This is why we can trace our heritage back, and recall the family lines. Today, Aridians still place a Lare house in their home, and give offerings. At birthdays, candles are lit on the shrine for the family member, and also when they die. At certain seasonal rites, the family names are recalled, back down the family lines. Stories are retold and so on. It 1953 is really quite beautiful, and very primitive. It is our culture and our heritage which binds us together. Sadly, this is something which modern culture does not really understand, or appreciate. FROM: TONY MARCANO It should also be noted that the prayers said at the larari- um differed on the kalends, nones, and ides. Also, the lares were worshipped along with the penates, Vesta, and the genius (pronounced ghen-yoos). Roman traditions accepted/to- lerated many gods, which allowed for the inclusion of a "wiccan" pantheon but very often these were very different traditions shared within the same household. The MTR (trad- itional Romans) in Italy as a tradition/organization does not embrace stregeria (although some of them may also be practicing witches) but rather view themselves as Roman Pagans, members of the collegium and curia, and in some cases flamines. FROM: RAVEN GRIMASSI Please understand that I am not talking about Roman Religion here. I am talking about my Tradi- tion, which has its roots in ancient Italy. Our people lived under Roman rule perhaps, but did not follow the classic Roman Religion. We are Strega and are different from classic Roman Tradition. I am not leaving things out here, I'm speaking of the Ways of my Clan. Certainly there were other things going on in Italy concurrently with us (but different from us). Thanks for adding your knowle- dge to this post, but I simply wish to keep things clear (and not to contradict you). ---------- DIANA & REX NEMORENSIS There is a very interesting myth about the worship of Diana, which I would like to share here. Long ago, in the Alban hills, there came a runaway slave who was favored by the Goddess Diana. Because She had freed him, he desired to worship Her, and She gave him sanctuary. One day Diana appeared to him beneath a large tree which stood in the center of a clearing, within a large grove. Then just after sunset She proclaimed Her love for him, but at the same time demanded that he prove himself worthy of Her favors. So Diana brought before him a mighty warrior, who was Guardian of the Grove. Then She told the runaway slave to challenge the Guardian. But the Guardian would not accept the challenge, unless the former slave could prove his strength and coura- ge. So the runaway climbed the great tree, and broke off a large branch with his hands. The branch was so strong that no ordinary man could break it. So the Guardian accepted the challenge, and the two battled for the favor of Diana. The Guardian was defeated and met his end at the hands of the runaway slave. Then Diana touched his shoulde- rs, placed a wreath upon his head, and said "Thou art Rex Nemorensis (King of the Woods)". This is one of the mystery texts, and deals with 1954 parts of our inner self. Look at the characters in the Myth as your- self, and at Diana as Enlightenment. Now, back to the note. In central Italy lies the lake once known as Lacus Nemorensis. This lake was also known as the Speculum Dianae (Mirror of Diana). Here on the northeast shore of this ancient lake, once stood the temple of Diana. Here too was the sacred grove of Diana. In ancient times the followers of Diana gathered at the Temple to give worship, and to be healed by the water, which was said to flow into a pool within the Temple. At Nemi, in the Alban Hills, Diana was worshipped in many forms. At the new moon She was the chaste Huntress and the crescent moon was her bow. In this aspect She was seen as the eternal virgin, free from the need for men. At the time of the full moon, Diana was the Enchantress, the Queen of Magic. At the dark of the moon Diana was vengeful, secretive, and somewhat dangerous. As the chaste, Her name was pronounced Dye-anna. As the Queen it was pronoun- ced Dea-nah, and at dark of moon it was pronounced Dee-anna. These are essentially the same aspects commonly referred to as Maiden, Mother, Crone. Another term for Rex Nemorensis, was the Hooded One. It is inter- esting, because a cult formed in the Groves of Nemi around this theme, and was comprised of outlaws and runaway slaves from Rome. There is a similarity between this mythos, and the Robin Hood legend. Especially when you consider that runaway slaves and outlaws from Rome gathered in the forests of Nemi. The Hooded One was a title for the representative of the God (usually referred to as Kern). This person was the cult leader, and held the title of either the Hooded One, or Rex Nemorensis. The major difference probably lies in the fact that the Hooded One could be either a male or a female. But Rex Nemor- ensis was always a male. Legend says that the Hood helped to conceal the gender. The outlaws of the Forest in Nemi were more of a religious cult, and lived more off than the land, than off the rich (although an occasional ambush here or there was not out of the question). ---------- DIANA AND DIANUS The most common names found associated with The Old Religion, in Italy, are Diana & Dianus. Dianus is the nature god, associated with the woods, herds, fertility, and so on. He was present in the rites of Diana at the sacred grove of Nemi. He is also known as verbius, and is linked to the title Rex Nemorensis. Oaks were sacred to Dianus, which were present in the groves at Nemi. It seems likely that, in time, he was also associated with the god Janus. Janus was a god of doorways/p- ortals (and of beginnings in general). In this aspect, Janus was a guardian who kept non-initiates away from the Mystery Traditions. He carried a whip and a rod, which could usher in, or drive away. Dianus, as the guardian Rex Nemorensis, is easily linked to Janus, in this aspect. In the Aridian Tradition, Diana and Dianus would be two parts of the Divine One Great Spirit. Usually, Dianus is visualized as a 1955 stag god, or a man with antlers. He can also be associated with the forest god, known as Kern (no, Kern, not Herne ...different land, similar story). Dianus is the consort of Diana, even in Her chaste aspect. Here they are more like brother and sister. In other aspects they are lovers, and so on. Historical references to the cult of Diana and Dianus (other than Classical Age) appear as early as the 4th Century A.D. Jana is one of the names we Aridians use for the Goddess (the others are Tana & Fana). The Goddess Jana is the Moon Goddess of the Janarric Clan. In Naples, the term Janarra was once used as the word for witch (instead of Strega). The Janarra are the keepers of the Lunar mysteries, in the Triad Traditions. Sometimes they are called the Sea Witches, because they once practiced along the coastal regi- ons, and near the Bay of Naples. In Italy there are three Clans, known as the Triad. THe first is called the Fanarra, second is the Janarra, and third is the Tanarra. The Fanarra are the "keepers of the earth mysteries", the Janarra are "keepers of the Lunar mysteries", and the Tanarra are the "keepers of the stellar mysteries". Originally they were one Clan, comprised of the covens which Aradia had established in the 14th Century. When the Inquisition began murdering witches, the Clan split up into their respective mystery traditions, in order to preserve at least one of the old Mystery Teachings. As the Fates would have it, however, all three survived. The Aridian Tradition is a rejoining of the three, back into the original state (as practiced in the time of Aradia). Each leader of a Clan, has a working knowledge of the two other Clans. Each Clan has a different aspect of Deity, for their Focus. Fanus is the basic earth connection of the God. He is lord of the mysteries of the earth. He is primal, and one of the first awakenings of Divine Consciousness (in the Physical Plane). Janus is the awaken- ing of the Divine Consciousness to the Solar System (if you will). He is the connection to the Sun and other planetary influences. Tanus is the awakening of Divine Consciousness to the Universe. He is the connection to higher Divinity, to the Source of All Things. So, ac- tually they are the same Deity, but seen in various aspects (more properly, they are symbols of the stages through which Human Under- standing has marked its contact with Divinity). Dianus is Fanus in a higher aspect. Fanus is more like Pan, while Dianus is more like Kern (stag horned god of the forests of Nemi). The double faces of Janus symbolize (among other things) the stage of a God who is between its base earth aspect, and its higher Divine aspect. These gods may also be thought of as the stages of Child, Adolescent, and Adult (although I would never say that to their face...nor neither face of Janus). Another illustration might help: Fanus is seen with animal horns, while Janus is seen wearing a crown, and Tanus is visualized with a blue flame forming a sort of "halo" around his head. Thus, you have the Nature made (horns), Human made (crown), and Divine made (light) concepts of Deity. 1956 Just a bit of an extension from my first reply (and a bit less emotional I hope). Frazer was not presenting a "Trad- ition" or a "System". He was simply speaking of the ancient practices and concepts of The Old Religion (and other things as well). You asked about our differences and likenesses. We share the common knowledge of Diana at Nemi, and some aspects of Her cult there. Rex Nemorensis is simply another aspect of what was once practiced at Nemi. In my Tradition there is no office of this title, and his legend is only one of the Mystery Teaching concepts, which we have retained over time. Legend says that Aradia (the Holy Strega) es- tablished a camp in the ruins of Diana's Temple, there at Nemi. I suppose that might be considered a connection somehow. Actually, Aradia was a Tuscan Witch and taught the Old Religion as a whole (not simply as practiced at Nemi). Frazer doesn't go into much depth concerning the Witch Cult in Italy, so I don't know what else to compare it to. I am NOT giving a history of my Tradition here, but my Tradition is a part of what I am posting. In Leland's book, Aradia is the Daughter of Diana & Lucifer. In the mythos of the Aridian Tradition, Aradia is quite human (and is not the actual "daughter" of Diana). Now, Diana does have three aspects, just as Dianus has. She is Fana, Jana, and Tana just as he is Fanus, Janus, and Tanus. How this all came about, goes back to the Coven which Aradia had founded in the 14th Century . In time as this coven divided and established other covens, the Inquisition arose (by the way, in Italian the word for coven is boschetto - pronounced boss-kett-oh - and means a grove). Hoping to keep the mysteries alive, they established three Clans. Each Clan was a "Keeper" of one of the mystery traditions. These were the Earth, Lunar, and Stellar Mysteries. Each Clan then named the Deities in accordance with their mystery system. That is how Diana and Dianus came to be known by these many names. It is customary in some Traditions/Systems to have an "inner court" name for the God & Goddess. A name not known to any non-initiates. So, some groups will chose (or create) a secret name, which only they will use when addressing Deity. For those who both believe, and do not believe, in the anti- quity/survival of The Old Religion, I offer the following: In 30 B.C., the Roman Poet Horace wrote his work called the Epodes of Horace. In part, they deal with a dialogue between he and an Italian witch named Canidia. In Epode 5, he associates Diana & Proserpina with witches in a mystery Cult. In Epode 17, he names these goddesses as patron goddesses of Witchcraft, and states that witches use a book called Libros Carminum, by which they "call down the moon" and make philtres and evoke spirits. Other Roman writers of the period, support this basic theme in their writings (such as Lucan and Ovid). From this we can conclude, that the association of witches with Diana, was general- ly accepted in Italy (circa 30 B.C.). Bear in mind that this is being written about in pre-Christian times, and not in the 1950's of Gerald Gardner. In note titled "The Society of Diana", I will show that this 1957 cult continued on (in Historical documentation) through the 19th Century. EPODE 5 : "...Night and Diana, who command silence when secret mysteries are performed, now aid me: now turn your vengeance and influence against my enemies' house..." EPODE 17: (to canidia) "Now already I yield to your mighty art, and suppliant beseech you by the realms of Proserpine, and by the powers of Diana, not to be provoked, and by your books of enchantments that are able to call down the fixed stars from heaven, Canidia, at length spare your magic words, and turn backward your swift wheel..." (Canidia replies) "...must I, who can move waxen images and call down the moon from the sky by my spells, who can raise the vaporous dead, and mix a draught of love lament the effect of my art, availing nothing upon you ?" ---------- THE SOCIETY OF DIANA The historical documentation which I present here, is drawn from the research notes and books of, Professor Carlo Ginzburg (Professor of Italian Renaissance Studies at Univ. of California in Los Angeles), Professor Ernesto de Martino (Prof. of the History of Religions at Cagliari Univ., Italy), Professor Cardini (Prof. of History at the Univ. of Florence), and Julio Baroja (Anthropologist) In his book, The World of Witches, Julio Baroja writes of southe- rn Europe "There seems to have been a flourishing cult of Diana among European country people in the 5th & 6th Centuries, and she was generally looked upon as a Goddess of the woods and fields, except by those trying to root out the cult, who thought she was a devil". In the authors notes, for chapter 4, he adds that the cult also wor- shipped a male deity called Dianum. In 906 A.D., Regino of Prum wrote in his instructions to the Bishops of the Kingdoms of Italy, concern- ing this cult. Here he states "...they ride at night on certain beasts with Diana, goddess of the pagans, and a great multitude of women, that they cover great distan- ces in the silence of the deepest night, that they obey the orders of the goddess...by speaking of their visions (they) gain new followers for the Society of Diana..." The following Chronology will demonstrate the continuation of this "Society of Diana" up through the centuries to modern times. 1006 A.D. : 19th book of the Decretum (entitled Corrector) associates the worship of Diana with the common 1958 pagan folk. 1280 A.D. : Diocesan Council of Conserans associates the Witch Cult with the worship of a Pagan Goddess 1310 A.D. : Council of Trier associates witches with the goddess Diana (and Herodias) 1313 A.D. : Giovanni de Matociis writes in his Historiae Imperiales, that many lay people believe in a nocturnal society headed by a queen they call Diana 1390 A.D. : A woman was tried by the Milanese Inquisition for belonging to the "Society of Diana", she confessed to worshipping the "goddess of Night" and stated that "Diana" bestowed blessings on her 1457 A.D. : 3 women tried in Bressanone, confess that they belonged to the "Society of Diana" (as recorded by Nicholas of Cusa). 1526 A.D. : Judge Paulus Grillandus writes of witches in the town of Benevento who worship a goddess at the site of an old walnut tree. 1576 A.D.: Bartolo Spina writes in his Quaestico de Strigibus. listing info gathered from confessions, that witches gather at night to worship "Diana", and have dealings with night spirits. 1647 A.D.: Peter Pipernus writes in his De Nuce Maga Beneventana & De Effectibus Magicis, of a women named Violanta who confessed to worshipping Diana at the site of an old walnut tree in the town of Benevento. 1749 A.D.: Girolamo Tartarotti associates the Witch Cult with the ancient cult of Diana, in his book Del Congresso Nottorno Delle Lammie. 1890 A.D.: Author Charles Leland associates the Witch Cult with the goddess Diana, as a survival of the ancient ways, in his book Etruscan Magic & Occult Remedies. 1894 A.D.: Lady Vere de Vere, after investigating witchcraft as it then existed in the Italian Tyrol region, wrote an article in La Rivista of Rome (June 1894) stating that "...the Community of Italian Witches is regulated by laws, traditions, and customs of the most secret kind, possessing special recipes for sorcery." 1959 1895 A.D.: Professor Milani (Etruscan Scholar & Director of Archaeological Museum in Florence) states that various elements of ancient Etruscan occultism have been "marvelously preserved"in the "Italian Witch Tradition." Professor Milani was familiar with the works of both Lady Vere de Vere and Charles Leland. This theme continues through various authors (T.C. Lethbridge, Carlo Ginzburg, Doreen Valiente) into the 1900's and current era. Books written since 1950's are common enough and probably do not need listing here. Source material for Chronology: Ecstacies-deciphering the witches Sabbath Night Battles-witchcraft and agrarian cults (by Ginzburg) Etruscan Magic & Occult Remedies, Legends of Florence, Aradia; gospel of the witches (by Charles Leland). The World of Witches, by Julio Baroja. ---------- A PRAYER TO DIANA " Great Diana, Goddess, hear my words of adoration. Hear my voice when I speak your praises. Hear my chanting as it rises upon the smoke of the incense I offer you. See me when I reach up to you; when the Full Moon shines upon me give me your blessings. Oh Diana, teach me your ancient mysteries, ancient rites of invocation which the Holy Strega spoke of, for I believe the Strega's story: when she spoke of your shining glory, when she told us to entreat you, told us when we seek for Knowledge to seek and find you above all others. Give me wisdom, Diana, and bind my oppressors. Grant me the Ancient Knowledge, and speak to my inner spirit, teaching me all the Holy Mysteries. I believe your ancient promise, the promise to all the ancient Clan, that we who seek your Holy Presence will receive of your Wisdom. Diana, think yet even for a moment, upon one who calls upon your name". I have always loved this old prayer. Once saw a very similar version of it in a book called The Grimoire of Lady Sheba. Always wondered where she came by it. Her version is more poetic, and has all the nice "Thee" and "Thou" stuff. I like both versions, because of the mention of The Holy Strega (but I am partial to my Family one). ---------- FROM: HELEN TYLER My compliments & thanks to you for your posts on the Old Ways, Raven. I am a Solitary practitioner of the Hereditary/Traditional Way & started on the Path in the 30's at my Grandmother's knee (turned 66 last week & am still on the Path - learning more & more every day!). Since you mentioned Lady 1960 Sheba's Prayer in your post, thought everyone might like to see it. She does not mention her source, then again, she does not give the source on many of her writings. Prayer to Diana O My Goddess, Diana, hear my song of adoration. Hear my voice when I sing Thy praises. Hear my songs as they rise heavenward, when the Full Moon, brightly shining, fills the heavens with Thy beauty. O my beautiful Moon Goddess, hear me as I stand before Thee. See me when I reach toward heaven, when my arms reach upward toward Thee. When the Full Moon shines upon me, give me Thy blessings, O Diana. Teach me of Thine ancient mysteries, ancient rites of invocation that the Holy Strega spoke of, for I believe the Strega's story: when she spoke of Thy shining glory, when she told us to entreat Thee, told us when we seek for knowledge to seek and find Thee above all others. Give us wisdom, O Diana: how to bind our oppressors, how to cure the sick among us. Teach me, O Diana. Give me Thy blessings, O Great Moon Goddess. Shield me from my oppressors. Receive me as your daughter, Diana. Receive me, though I am earth-bound. Grant me ancient Wiccan knowledge. When my body lies resting nightly, speak unto my inner spirit; teach me all Thy holy mysteries. I believe Thine ancient promise, Thy promise unto the ancient Wicca that we who seek Thy holy prese- nce will receive Thy Wisdom. Now the Full Moon shines upon me. Hear me! I stand before Thee! Grant me wisdom! O Diana! Shield me from my op- pressors! Teach me Thine holy mysteries! I sing Thy praises unto the heavens. Let Thy glory shine about me. Bless us, O gracious Queen of Heaven. Descend Thou among us; Descend and conquer, Gra- cious Goddess. Taken from The Witches Workbook: The Magick Grimo- ire of Lady Sheba, by Jessie Wicker Bell, pub. Kensington Pub. Co., 1975 ---------- THE LEGEND OF ARADIA In 1508 A.D. the Italian Inquisitor Bernardo Rategno (having studied witch trial records preserved in the archives of the Inquisi- tion at Como) wrote a text called the Tractatus de Strigibus. In this text he states that the " witches sect" had begun to expand 150 years earlier. This would place the "expansion" about 1350 (14th Century Italy). What caused this to happen ? Well, the answer may be found in 1961 the old legend called The Legend of the Beautiful Pilgrim. This legend can be found in author Charles Leland's notes for his book: Aradia, gospel of the witches. According to this story, there once was a young woman from the town of Volterra who "travelled far and wide, teaching and preaching the religion of old times, the religion of Diana, the Queen of the Fairies and of the Moon, the Goddess of the poor and the oppressed". Leland goes on to say "And the fame of her wisdom and beauty went forth over all the land, and people worshipped her, calling her La Bella Pellegrina (the Beautiful Pilgrim). In the Aridian Tradition we refer to Aradia as The Holy Strega (pronounced Stray-gah, meaning witch) and we honor her memory. We do not worship her. According to our teachings, Aradia formed covens (called groves) in central Italy during the 14th Century. She taught the Old Religion of Nature, and of Magic, but above all she taught a Spirituality. Beyond this she gave hope to peasants whose lives were made miserable, in service to the wealthy class. She taught them personal power, and personal value, in an Age when the Church taught shame and sin, and servitude. Aradia returned their beautiful pagan heritage to them, a heritage which was preserved in secret by courageous Priests and Priestesses of The Old Religion. Aradia taught harmony with Nature, and directed her followers to merge with Nature through seasonal rites, and ritual observation of the Full Moon (times of planetary power). Charles Leland's version of Aradia, is not the original version. It has little to do with the Aradia I have addressed here. His work is a Christianized view of Aradia, and does not reflect the beliefs, or practices, of Hereditary Italian Witches. So, if you chose to read his book, bear in mind that he and I are NOT speaking of the same Aradia. His account of the Legend given here, is the only thing I can agree with in his book. The rest of his book does not show Aradia in a positive light. ---------- THE GIFTS OF ARADIA In the 14th Century, Aradia taught that certain powers could be obtained through following The Old Religion. Aradia called them "gift- s" because she stressed that these powers were side benefits of adher- ing to the Old Ways, and not the reason for becoming a witch. These gifts are commonly referred to, today, as the traditional powers of Witchcraft. 1. To bring success in matters of love 2. To bless and consecrate 3. To speak with spirits 4. To know of Hidden Things 5. To call forth spirits 6. To know Secret Signs 7. To possess the Knowledge of changing forms 1962 8. To possess the Knowledge of Divination 9. To know secret signs 10. To cure disease 11. To bring forth beauty 12. To have influence over wild beasts 13. To know the secrets of the hands Aradia taught that a witch must observe the Seasonal Rites and the time of the Full Moon, in order to keep these powers. ---------- THE BEAUTIFUL PILGRIM In 1508 A.D., the Italian Inquisitor Bernardo Rategno (having studied witch trial records preserved in the archives of the Inquisi- tion at Como) wrote a text called the Tractatus de Strigibus. In this text he states that the "witches sect" had begun to expand rapidly 150 years earlier. This would place the "expansion" in the mid 1300's. What caused this to happen ? The answer may lay hidden in the Legend of La Bella Pellegrina (the beautiful Pilgrim). This legend appears in Charles Leland's research material (1887), and was even then consider- ed a very old legend. According to this story, there was a young woman from the town of Volterra, who "travelled far and wide, teaching and preaching the religion of old times, the religion of Diana, the Queen of the Fairies and of the Moon, Goddess of the poor and the oppressed- ". Leland goes on to say "and the fame of her wisdom and beauty went forth over all the land, and people worshipped her, calling her The Beautiful Pilgrim". This legend appears in his book ARADIA, GOSPEL OF THE WITCHES. The book itself is not really very good, but does contain some interesting bits of Lore. In my Tradition we do have the legend of Aradia, but she differs from the Aradia presented in Leland's book (not from this legend, but from his portrayal of her character). In my Tradition, Aradia was a great teacher who brought about a "revival" of The Old Religion, in 14th Century Italy. We honor her memory, but we do not worship her. We call her The Holy Strega . Strega (pronounced stray-gah) is the Italian word for Witch. Aradia taught that certain "powers" would be gained through the practice of The Old Religion, if one was truly dedicated. These are the "traditional" powers of which she spoke: To bring success in love to bless and consecrate to speak with spirits to know of hidden things to call forth spirits to know the voice of the wind to possess the knowledge of changing forms to possess the knowledge of divination to know secret signs to cure disease to bring forth beauty to have influence over wild beasts to know the secrets of the hand 1963 In my tradition it is that taught we are descended from those covens which Aradia established in the 14th Century. ---------- CELEBRATIONS OF THE YEAR In Italy, witches do not use the word Sabbat for their seasonal rites. The Italian word is Treguenda (pronounced tray-gwen-dah) and is similar in meaning to Sabbat. Webster's dictionary lists Sabbat as old French for Sabbath (old English as well). The word Sabbatical is shown to mean "of or suited to the Sabbath" and "a period of rest that occurs in regular cycles". The word Treguenda has as its root the word Tregua, which means "a respite, or a truce". It is interesting to note that "Tregua" (tray-gwah) is also slang for the Full Moon Ceremony. The actual word for the Full Moon Ceremony is Veglione (pronounced Vay-yoe-nay), and literally means to dance all night. Veglione is also the name of a popular folk dance in Italy. In early times the followers of The Old Religion were farmers and craftsmen. Their lives were largely spent in toil. Their Religion provided times in which they could set aside their work, and enjoy a social and spiritual celebration. These Festivals were indeed "respit- es" or "periods of rest occurring in regular cycles". In The Aridian Tradition there are 8 Treguendas, four major and four minor. The major rites occur in October, February, May and Augus- t. These are the Spiritual Festivals which are considered of greater importance. The minor festivals occur on the Spring & Autumn Equinox, and on the Summer & Winter Solstice. These are the Earth Festivals, and are seasonal/agricultural in nature. The Mythos of the Old Religi- on runs through each of these Celebrations. They are named as follows: Shadowfest (La Festa dell' Ombra) Winter Solstice (La Festa dell' Inverno) Lupercus (Festa di Lupercus) Spring Equinox (Equinozio della Primavera) Tana's Day (La giornata di Tana) Summer Solstice (La Festa dell' Estate) Cornucopia (La Festa di Cornucopia) Autumn Equinox (Equinozio di Autunno) A common term for the 8 rites is the "Wheel". It is thought of as a Spinning-wheel, turning and weaving the patterns of Life. On the physical level it is symbolic of the changing seasons. On the spiritu- al level it is symbolic of the "seasons of the soul". The Mythos which is an integral part of each rite, symbolizes the Journey of the Soul through a variety of Existences. In the Mystery Teachings of the Wheel, we discover that we are the characters in the Myth. Everything is symbolic within each myth, and represents various aspects of the encounters facing a soul as it passes from life to life. Through a study of the Mythos, and routine participation in each Treguenda, one can gain spiritual enlightenment. 1964 The mythos within the Full Moon Ceremony, weaves its way through each Treguenda, and completes the spiritual vision. It is interesting to note that the ancient teachings connect the light of the Moon, to passages and reincarnations of the Soul. FROM: MINNIE BAXTER Merry Meet Raven,To make sure we are talking or thinking about the same thing let me give you some information: Aradia (Strega Witch) was born in Volterra, Italy, on August 13, 1313. In her early teens (10-12 yrs.) she moved with her parents to the Alban hills near the lake now known as Nemi. This region not far from Rome. She experienced something in the unexplained area, a mystery to herself. This was the beginning of her promoting the old relig- ion that was taught to her by her aunt. On the subject of her "mystery". A voice using telepathy spoke to her telling her to look up- wards. She gazed upwards and saw the skies began to darken (for there was a Moon Shadow) and she understood. This changed how she perceived life. Is this the clan of people you are saying is your relatives? If so lets talk about "The Moon Shadow" she saw in the sky. Are you Raven under the direc- tion of the council of the Third Clan? FROM: RAVEN GRIMASSI The titles of the books which I have written are: (listed only because someone asked) The Book of Ways (Volumes 1 & 2) 1981 & 1982 The Book of the Holy Strega 1981 The Teachings of the Holy Strega (1991 reprint, new Intro) Whispers, teachings of the Old Religion of Italy 1991 I have also just completed a booklet titled : The Aridian System, an introduction to Italian Witchc- raft. These are the only books available at this time, on the Aridian Tradition. I am currently writing a book of rituals and magic, which I will be sub- mitting to a couple of Publishers soon. We use some Latin, as preserved from the earlier material. Most of the invocations are done in Italian, but we speak English for the majority of the ritual gathering. We also have another lan- guage from the oldest material, it does not have a name, but we refer to it as "the tongue of the Moon". Most likely related to ancient Etruscan, and may have a connection to Enochian as well. It only appears in a few of the old rituals. Mine is the only book in the Family which contains English 1965 (My mothers was mostly Italian, Latin and Tongue of the Moon). You asked about having to be of Italian blood, to best work this System. I do not require it, but the old family members do have a hangup about "being of the blood". I have initiated many non-I- talians, and they do quite well in the System. I think that magically speaking, practicing a System to which you have genetic roots, does bring about a stronger current response. But that is simply my experience, and may not be true for everyone. So my answer is no, you do not need to be Italian in the Aridian System. Also forgot to reply to your question about being related to those early clans. The answer is yes (at least that's what the family lore has to say). I come from a very old line of witches in the Naples area of Italy. We trace our Tradition back to the 14th Century where it connects with the Alban Hills region of Nemi (being descended from those covens which The Holy Strega founded at that time). She, herself, was a Tuscan witch and taught her Tradition which went back to pre-Christi- an times. So, in that respect, I say that my ancestors invented the worship of Diana at Nemi. Yes, my friend, I am the Raven to whom you refer. You have obviously read (or heard of) one of my books. Perhaps you have read "The Book of the Holy Strega", or "The teachings of the Holy Streg- a". You asked about the "Moon Shadow" mentioned in my book. Well, there are two opinions of what may have happened there. One is that a Solar eclipse had taken place, another that something of an inner experience had manifested. No one in any of the Triad Clans can say for sure. Whatever hap- pened, Aradia took it as a divine sign for the mission she then undertook. Hereditary witches (at least of my family line in Italy) have kept a written book. Many Hereditary Clans were connected to Nobility during the Middle Ages. This gave them not only sanctuary, but education in reading and writing. Many Italian Courts of Royalty kept astrologers and local wisemen/ wisewomen. The persecution of witches in Italy began about 100 years later than anywhere else in Europe, and was almost entirely focused on organized group prac- tices. The local village witch was usually tolera- ted because of his/her healing abilities, and so forth. My family line goes back five generations to the Tavani Family, who were Nobility of the Kingdom of Naples. According to our Elders, early witches kept a runic script on animal hide. In time this evolved to parchment, and so on. The runic script still survives, but has been replaced 1966 by the common arabic alphabet (at least in the case of non-magical info). ---------- SEA SPELLS Witches have long used the powers and forces within the sea, for the purpose of magic. The Sea is so deeply connected to the cycles of the Moon, that the aspect of Sea Magic cannot be overlooked. Janarric witches, in the central coastal region of Italy, long ago devised a system of symbols which they used in the casting of spells. These symbols were placed upon sea shells, in a circular manner around the edge of the shell. The shell was then set near the water, at the appropriate Tide (lunar phase), so that the Sea Powers would receive the spell, and grant it success. Many times, offerings were left upon the shore, for the deities, to invoke Their favor. These offerings included white flowers, pearls, white pebbles, etc. I cannot reproduce the old symbols here, but any symbolic symbol which reflects your wish should work: The Spell of the Shell To perform this spell, you must find a suitable shell in shallow water. Take the shell and dry it thoroughly. Next, place a symbol of your desire upon the surface of the shell. The symbol must be made with a substance which will easily wash off in water. Then, place the shell upon the shore, so that the Tide will bring waves across the shell. Take care to note the phase of the Moon (waxing moon for the gain of something, waning for the dissolving of something). When the shell is in place, draw a triangle in the sand, enclosing the shell completely. The symbol upon the shell must be facing upwards (toward the Moon). Meaningful words, or phrases, may be placed upon the shell also, or simply written in the sand (inside the triangle). Finally, give the words of enchantment: (toward the moon) "Goddess of Moon, Earth, and the Sea, each wish in Thy name must come to be. Powers and Forces which Tides do make, now summon Thy waves, my spell to take " Leave the area now, and the spell is set. Once the waves come, then your wish will be taken out to the Old Ones. It will usually take about 7 days for a Lunar spell to begin to manifest, but can take as long as 28 days. This type of magic is what we call "little works", and belongs to the folkmagic level of Witchcraft. There are, of course, much more involved spells, and such. But, I do love the simplistic beauty of a spell like this. The Spell of the Arrow 1967 This is a very old spell, which incorporates symbols which are placed along the shaft of an arrow. Traditionally this was performed on the shore of a lake, or other calm body of water (such as a Bay). It was necessary to be able to see the "path of the Moon" in the water. This "path" is the reflection of the moon, stretched along the surface of the water. To perform this spell, you must take a new arrow and place the symbols of your wish/desire along its shaft. Meaningful words or phrases may also be added. When the Moon is full, go to the shore, and face the water. Fix the arrow into your bow and gaze out upon the path of light (which leads to the Moon). Next, speak the words of enchantment, then release the arrow: "Where path of Light, to Moon I see, the powers of the Queen shall be ! Shaft of wood, as shaft of light, earth to moon, does now give flight !" The arrow can either be shot out into the path on the water, or upward towards the Moon. The arrow was sacred to Diana, and was con- sidered to carry special powers and blessings, in this type of spell. This is a folkmagic level spell, and speaks of the early Pagan simpli- city concerning magic (more of the Shaman roots). My mother used to say that a ceremonial magician must prepare for magic, and wait upon the proper time and setting. But a witch can pick up a twig, anywhere, anytime, and work a spell of magic. I thought that I would add a couple more basic sea spells, since I still have some room on this post. 1. To gain favor with the Goddess, form your name with white petals upon the shore, so that the tide will carry them out. This is a very old part of the Janarric Initiation ceremony, which ends with the new Initiate performing this, so that he/she is "introduced" to the God & Goddess, through the naming spell. 2. To break an "evil" spell (or cure an affliction) form 3 connecting towers out of wet sand, near the shore of the sea. Take 3 dark shells (or spotted shells) and place a symbol of the thing you wish removed, on each. Use a substance which will wash away in the water. Place one of the shells upon the top of each tower. Then simply sit, and focus on the towers as the waves come and break them down. In your mind, see the power of the sea destroying the thing which you desire to remove. Well, that should give you a basic idea of the Old Ways of Sea Magic, among the Italian Witches of the Coastal Regions. ---------- OF THE FULL MOON RITUAL The old teachings tell us that the light of the full moon carries an astral substance, which effects our Inner Being (including emo- tions, rhythms, and subconscious activity). The Full Moon represents 1968 the presence of The Goddess, and in ancient times was considered the Goddess Herself. The Holy Strega taught (during the 14th Century) that participation in the Full Moon ritual, brought the people into a concentrated flow of this energy. This saturation of Lunar Emanation could then be directed, allowing it to provide raw energy for magical purposes, along with a personal empowerment which could increase physic (and magical) abilities. In the Aridian Tradition, our ritual is designed to collect and concentrate these energies, in the ways which The Holy Strega taught. It is also a time for the worship of Deity. This is usually a combina- tion of chants, songs, and offerings. The ritual also includes a time in which the initiates are directed on an astral journey, through which the old teachings are experienced. Up to 3 works of magic can be performed during the rite, and this can be for the Community at large, or simply for individuals. The ritual concludes with a remembrance of Aradia (a "toast" in her honor) and the celebration of "cakes and wine". Much of the old ways of our Tradition have been handed down from the time of The Holy Strega. She left a teaching which came to be called "The Charge". Even in the Public Domain, such writers as Char- les Leland (1890's) and Doreen Valiente (1950's & 60's) recorded elements of this very old teaching. The Charge "Whenever you have need of anything, once in the month, when the moon is full, gather then in secret and give worship to She who is the Queen of all witches. Gather into the sacred circle, and secrets that are as yet unknown shall be reveal- ed to you. And you shall be free in mind, body, and spirit. And as a sign that you are truly free, you shall be naked in your rites. Then shall you sing, dance, feast, and make music and love. For such pleasures are the rituals of the Goddess. Be true to your beliefs, and keep to the Old Ways beyond all obstacles. For our Ways are the keys to the Mysteries, and the Essence of the Cycles of Return. In life does the Queen of all witches reveal the knowledge of the Spirit. And from Death does She deliver you unto Peace, and renew you once again. In memory of me, shall you eat cakes of grain, wine, salt, and honey. These shall you shape like the Moon. Then shall you bless them in my name, and partake of them within your sacred gatherings. For I am the Spirit of all Witches. Unto all who observe the appointed times, will the Queen of Heaven give power. And you shall know success in love, and have power to bless and to consecrate. And you shall know the tongue of the spirits, obtain knowle- dge of things which are hidden, and